Man riding an animal — Kissi, Sierra Leone — African tribal art — Ref. 119

Description

This piece belongs to the Kissi ethnic group of Sierra Leone, a region where artistic and spiritual traditions have for centuries integrated anthropomorphic and zoomorphic representations. Stone sculptures of the Kissi people, often called “pomis” or “nomoli”, are well known for their ritual and symbolic function. These works, sometimes discovered in agricultural sites or archaeological contexts, represent ancestor figures or protective spirits, often in dominant postures. The figure of a man riding an animal may evoke spiritual strength, power or the ability to communicate with the spirit world, qualities associated with healers, hunters or wisdom figures within Kissi society.
This statuette presents a man with an expressive face, a broad smile with visible teeth, prominent eyebrows and eyes carved in relief, characteristic of Kissi art figures. The figure’s arms encircle the head of the animal, marking a relationship of control or guidance. The animal may symbolise a totem or protective spirit, as is often observed in Kissi ritual representations. The figure, with well-defined limbs and accentuated features, appears concentrated and powerful, a position evoking spiritual mastery or connection with the ancestors.
The stone used has a brown patina, attesting to its age and potential ritual use. Wear marks, particularly on the hands and face, show frequent handling, typical of cult objects manipulated during ceremonies. The stylised details of the sculpture, although simplified, are emblematic of Kissi art, which values expressiveness and spiritual energy in its representations.
Symbolism and use: In Kissi culture, the figure of a man riding an animal may be interpreted as the representation of a spirit or ancestor endowed with protective and spiritual powers. The animal on which he sits becomes a symbol of strength, support and connection with the forces of nature. This type of statuette may have been used in rituals to invoke protection, fertility or blessings for the community. The man’s posture of dominance over the animal indicates symbolic mastery, reinforcing his role as mediator between humans and spirits.
Sculptures such as this one are also considered protective amulets, placed in strategic locations or used during specific ceremonies to ensure prosperity and safety for the group. The intense facial expression, with prominent teeth and an almost threatening smile, may also be interpreted as a means of warding off negative energies.

Technical details

Type of piece

Statuette

Category

Statues

Ethnic group

Kissi

Country

Sierra Leone

Materials

stone

Dimensions

H 16 × W 7 × D 7 cm

Weight

0,82 kg

Estimated dating

second half 20th c.

Laboratory test

Not tested

Reference

119